Aesthetics of inhuman touch: notes for 'vegetalised' performance | Plant Consciousness Commentary

Aesthetics of inhuman touch: notes for ‘vegetalised’ performance

Vegetalised performance represents a forward thinking approach to artistic expression, one that defies conventional performance theories, at least that is what they try to do. This innovative mode of performativity is not just about including plants as mere props or backdrops, but rather, it involves them as active co-performers. By doing so, it challenges the anthropocentric norms of traditional performance art, inviting a collaboration that transcends species boundaries.

The concept operates on the principle of “intra-affect-acts,” a term that signifies the unique ways in which plants can influence and contribute to a performance, distinct from human speech-acts. These acts blur the lines between what is traditionally viewed as subjective and objective, suggesting a new form of communication and interaction that goes beyond verbal exchanges. This integration of plant agency within performances aligns with affect theories, which emphasize the capacity of bodies to affect and be affected, thereby recognizing the dynamic and influential role of plants in ‘touching’ humanity.

Topics covered about vegetalised performance

  • Vegetal performativity challenges traditional theories of performance by emphasizing the agency and performativity of plants
  • Plants engage in intra-actions with their environment, constantly responding to and affecting their surroundings
  • Vegetalised practices require radical openness and response-ability, embracing forms of hospitality and touch as modes of performance
  • True shared conversations with the vegetal realm can be achieved, though it takes a desired to be response-able and inviting

Commentary on vegetalised performance Naturally Conscious Community:

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References

nikolić, m., Radulović, N. 2018. Aesthetics of inhuman touch: notes for ‘vegetalised’ performance. Ruuku, no. 9, 2018, Special Issue “Practicing New Materialisms in the Arts”.

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